Pilfering James Joyce
       
     
Les Pierres
       
     
Romanticism Redux
       
     
Signs of Affection
       
     
My Father's Blocks
       
     
Ledger Suite
       
     
Living in the Flood Plain
       
     
Collotype
       
     
Coda for Existentialism
       
     
Pilfering James Joyce
       
     
Pilfering James Joyce

Woodcuts, ongoing

Viscosity printing and letterpress using a New Century Reliance handpress. Most on Pescia,

Les Pierres
       
     
Les Pierres

Printed from stones on a litho press

1.) Black - lithography
2.) Yellow and spot colors - relief from stone
3.) Language - letterpress or sometimes typewriter

Romanticism Redux
       
     
Romanticism Redux

12 x 9 images on 18 x 14 Stonehenge

Intaglio duotone with letterpress (Bernhard Fashion)

Copper plates worked with drypoint and mezzotint rocker

Editions around 25

2017

Signs of Affection
       
     
Signs of Affection

8.5 X 8.5” image on 10 x 11” Pescia

Printed letterpress, six press runs per image

Linolium, wood type, cast type

Editions vary, 42 - 56

2007

My Father's Blocks
       
     
My Father's Blocks

Printed letterpress (New Century Reliance) from found blocks carved by the artist’s father, Earl.

2005

Ledger Suite
       
     
Ledger Suite

Letterpress with wood type, foundry type, Ludlow cast type, and assorted shop materials. Printed using a hand fed platen press (Golding Art Jobber), ledger paper was salvaged.

2002

Living in the Flood Plain
       
     
Living in the Flood Plain

Polyester laminated to Arches HP, Alps MD4000 printer/scanner. (archival), edition ~20, 8 x 10” image, 11 x 15 sheet,

1997

Collotype
       
     
Collotype

Collotype and letterpress using a Reliance handpress, 17 x 22 image, 22x30 Arches HP, editions around 20

1995

Coda for Existentialism
       
     
Coda for Existentialism


Photocopy (color Xerox) transfer on cast paper with typewriter

14 x 9” sheet

Nine prints, five in each edition

1984